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We’re Creating a New Playset

Fairytale Town has selected artist Garr Ugalde to design, create and install a new interactive playset!

Named Anansi’s Web, the playset represents the West African folktales of Anansi the spider. Anansi is the keeper of all stories and wisdom. He’s also a trickster who obtains his goals through various ruses. The new set will feature three climbing webs and four animal sculptures, in addition to one of Anansi himself.

Fairytale Town has seen many new buildings and additions over the years—Mr. McGregor’s Garden opened in 1999, the Mother Goose Stage made its debut in 2005, the Yellow Brick Road was completed in 2012 and more—but, Anansi’s Web will be the first brand new play structure in 20 years. The most recent addition was Jack and the Beanstalk, which opened in 1997.

Garr Ugalde is an accomplished Sacramento sculptor who has exhibited widely in Sacramento and across the country. He also has completed several public commissions throughout the Sacramento region. His most recent public installation is a series of three sculptures called “Agora’s Light,” which was installed in December 2016 at American River College.

Work will begin in the artist’s studio this summer, preparation on-site at Fairytale Town begins this November, and the playset will be installed and ready for play by March 1, 2018.

Thanks to a generous grant from the Sacramento Metropolitan Arts Commission, we were able to request proposals from professional artists to create the playset. Six artists responded to a call for qualifications, three were selected to create scale models, and Ugalde’s proposal was selected by a panel of seven board and community members for its playability and artistry.

The new playset will be installed between the Tipi playset and the Mary’s Little Lamb exhibit, replacing a portion of the waterway that winds through the park. Repurposing a portion of the waterway creates additional space for a new play area and allows Fairytale Town to conserve water.

All of us here are committed to keeping the historical integrity of the park, but we also know we must be relevant to the present and sustainable in the future. While we have had ample rain this year, the years of drought reinforces how important it is to conserve water. We believe that repurposing this portion of the waterway for a new playset will beautify the facility, provide innovative and challenging activities for children in our community, and enhance the Fairytale Town experience for all our guests.

It is not too late to support this project!
Donations towards the new playset will be matched by the grant from the Sacramento Metropolitan Arts Commission.

Donate Today

 


Fund Our Friendly Fowl on the Big Day of Giving

Why did the chicken cross the road? To get to Fairytale Town, of course!

Fairytale Town is home to 28 rare or miniature breed animals—including the Little Red Hen and friends. Our chicken exhibit next to Farmer Brown’s Barn shelters our five feathered friends, where they roost and lay eggs. Weather and time have deteriorated the coop and it needs to be replaced.

Young children are fascinated by animals, so it is no surprise that our animal exhibits and activities are popular attractions. Our barnyard brood is often a child’s first introduction to the world of animals. The proposed new coop would offer better viewing of the habits and life cycle of chickens—and help children learn the importance of animals in our daily lives.

Fairytale Town is once again participating in the Big Day of Giving!

The Big Day of Giving is the the Sacramento Region’s 24-hour online giving challenge on Thursday, May 4. Donations we receive from the day will go to rebuild the chicken coop. We’ve received generous matching funds of $9,400! With your support, we can complete the project. If we exceed our goal, the additional money will go towards rebuilding the home of Peter Rabbit and his sisters. The combined goal for both projects is $24,000

It is easy to participate in the Big Day of Giving. On May 4, simply visit bigdayofgiving.org and select the nonprofit(s) you want to support.

I want to help!

As the story goes, the Little Red Hen asks for help from her barnyard friends. We hope you will help by donating to Fairytale Town and the nonprofit(s) you care about on May 4 and make a difference in our community. Thanks to support from our friends and donors, we can enhance our exhibits and education programs for children and families in our region.

Join us at the park on May 4!

We hope you are able to join us at the park on May 4! We’ve planned a fun day celebrating our chicken family and Star Wars Day with story time, visits from Star Wars characters, prizes, and more! And with an online donation of $25 or more, you will receive FREE admission for two guests on May 4, 2017. Just show your Big Day of Giving donation receipt to our Box Office staff for complimentary admission.


We Need Your Help to Build a New Playset

Entering a place called Fairytale Town just has to be a magical experience. We work hard to make sure that once children and families cross under the Humpty Dumpty gate, they enter an enchanted realm where stories come to life and children can play to their heart’s content. These days, after hearing the initial “Oohs!” and “Ahhs!” upon entering the park, the next comment we often hear is, “What is that supposed to be?” when children see the drought-stricken waterways throughout the park. One frequent guest hit the nail on the head when she said, “Fairytale Town has done such a great job of upgrading and refreshing the grounds and playsets. It’s a shame the moats are such an eyesore.”

The Board and Staff of Fairytale Town are committed to keeping the historical integrity of our storybook park. We can easily justify maintaining and improving the moat around King Arthur’s Castle and the waterways close to the Pirate Ship and the Water Wheel. But, after many years of drought, it has become difficult to rationalize the use of water as a decorative element and costly to fill the non-thematic waterways in the park. For these reasons, we began to look at ways to repurpose the non-thematic waterways in the park.

Thanks to a grant from Sacramento Metropolitan Arts Commission, we are in the process of creating a new playset! The grant allows Fairytale Town to request proposals from artists and arts organizations to create a new playset to replace the waterway between the Tipi playset and the Mary’s Little Lamb exhibit. Like all the structures at Fairytale Town, the new playset will be story-based, interactive, and powered by the imagination rather than electricity.

newplayset

The grant requires a one-to-one match, and we need your help to raise the $100,000 match! We invite you to join us in making this exciting and collaborative project come to life.

Donate Today

While all of us at Fairytale Town are committed to keeping the historical integrity of the park, we also recognize that we must ensure the facility remains relevant to the present and sustainable in the future.

We hope our community will support of this new project by providing donations to match our grant! Make a contribution online, or please contact Kathy Fleming at (916) 808-7060.


Meet Author Barbara Jean Hicks

Acclaimed author, storyteller, speaker and educator Barbara Jean Hicks has published seven picture books, including Monsters Don’t Eat Broccoli, The Secret Life of Walter Kitty, and the multi-award-wining Jitterbug Jam. Her two most recent titles are A Sister More Like Me and An Amazing Snowman, both commissioned by Disney Studios as tie-ins to their Oscar-winning animated feature film, Frozen. She currently makes her home in Northwest Washington state. Barbara will headline this year’s ScholarShare Children’s Book Festival the weekend of September 24 and 25. She’ll read A Sister More Like Me plus her newest book, Once Upon A Parsnip, and sign copies of her books.

BarbaraJeanHicksYou are known as “The Story Queen”? How did you acquire that title? 

Okay, you got me—I crowned myself! Here’s the thing: I’m an introvert. When I realized that being a published author wasn’t just about writing, that it was also about connecting with my audience on a personal level, I had to figure out a way to make that work for me. And putting on a costume did it. When I don my gown and tiara, I’m no longer the one hanging back in a crowd hoping no one will notice me. I’m an actor onstage. The weird thing is that the character I’m playing is actually me. Or at least an aspect of me, one that I’d never expressed before—and one that makes an immediate connection with kids, for whom I am anything but make-believe. I am the Story Queen. (And “queen” only because it rhymes with “Jean”—I could just as easily be “Claire the Story Bear” and dress up in a furry suit, if Claire were my name!)

Frozen-ASisterMoreLikeMeWhat did you enjoy most about writing A Sister More Like Me, featuring Anna and Elsa from Frozen?

First, I had the wonderful opportunity of seeing an early screening of Frozen, more than a year before the movie was released. It was still in production—no music, not completely animated, pieces of the story not yet fleshed out—but still, I think everyone in the audience knew it was going to be something special.

I also enjoyed the story-building process—thinking about my own two sisters and me, and how we didn’t always understand each other because we were so different from one another. And I thought about how we sometimes depended on one another because of those very differences.

I lost my eldest sister the day before Frozen was released in theaters. I’m sad she never got to see the movie, but glad she was able to hold the finished product in her hands before she died. The book is even more special to me because I associate it with Lindy. The last weekend we spent together, she had arranged for me to read and do a book signing for A Sister More Like Me at her favorite bookstore in Seattle, and many of her friends as well as her daughters, granddaughters and great-granddaughters were there. I have a picture of the two of us at the signing, me decked out in my royal finery, Lindy standing behind me with her hand at my back—a visual metaphor. Even now I feel she stands behind me, supports me, encourages me.

onceuponaparsnipTell us about your latest book, Once Upon a Parsnip?

A number of years ago I joined a children’s book writers’ group and met Kevin Wood—a man who is off-the-charts, in my opinion, when it comes to creativity. One day he brought a grocery list to the meeting–of items you might find in a fairytale grocery store, like poison apples, magic beans and pumpkins that turn into carriages. It was written in rhyme. He basically asked me if I could help him come up with characters and a plot to be used as a delivery system for his grocery list!

The Fairytale Grocery Store gained characters and a plot in a Little Red/Wolf rematch, with cameo appearances by the Three Pigs and other various fairytale folk. We had a publisher interested at one point, but it didn’t go anywhere. I continued to work on the story off and on; I’m a dog with a bone when it comes to a good story—if I think it has potential, I just don’t give up on it. Somewhere during that time, the title became Once Upon a Parsnip and parsnips were added to the plot.

Fast forward a dozen years…. I was doing a promotion for A Sister More Like Me at our local movie theatre the weekend Frozen was released. Ben Mann introduced himself as a local artist; we had a lovely chat and later developed a friendship. Meanwhile, I had met a group of “author-entrepreneurs,” women who had all published books independently, and I felt an immediate affinity with them. (I call them my “tribe”!) I had several manuscripts out to agents and editors but was getting no response, so I asked Ben if he might be interested in illustrating a book and self-publishing it with me. The timing was right. It was something he had wanted to do, and he felt our partnership and the manuscript were both a good fit. We met about every two weeks over the next six months, and I gave him feedback based on the things I’d learned paying attention to the editors and art directors on my previous books.

Six months after Ben finished the illustrations, we had Once Upon a Parsnip in hand. It was very exciting to open that first box of books! I had published a total of 20 books through traditional publishers, but this one felt different. For one thing, I loved acting as art director for the project. I pretty much let Ben do what he wanted to with the art, but I had a few suggestions about the relationship between the text and the illustrations in places, and he took them to heart. Later, I worked with the graphic designer at our publisher, Mascot Books, until we achieved the vision I had in my mind. I saw the art direction as another expression of my creativity, and I am so, so pleased with the look, color and movement of the text on the page and how it integrates with the artwork.

I also learned that I love the collaborative process. I have been fortunate to have had several amazing artists assigned to my previous books, but I wasn’t lucky enough to have actually worked with any of them. It was such a pleasure working with Kevin on the manuscript, with Ben on the illustrations and with the staff at Mascot Books on the editing and graphic design. I was very pleased when Kevin, who teaches English Language Learners in an elementary school, wrote a short easy reader about our three-way collaboration. Parsnip Partnership is designed for teachers to use in the classroom alongside Once Upon a Parsnip. Kevin has graciously given permission to other teachers (and parents!) to download and print this unique teaching guide.

And if you could be any fairytale character, who would you be? Why?

I’d like to be a fairy-godmother-at-large. Wouldn’t it be great to be able to right the wrongs of the world with the wave of a magic wand? I know what I’d do—I’d use my magic to make sure that every child everywhere had a chance to be a child–to laugh, to play, to imagine, to see light and beauty in the world. To feel safe. To be loved without reservation. In the meantime, I do what I can sans magic.


What’s the Difference?

The Pop-Up Adventure Play Days at the Maple Neighborhood Center over the summer months have been great fun. Kids of all ages have been able to engage in ‘good, old-fashioned’ play activities like digging holes, painting walls and building cardboard forts.

SacAdventurePlay1

As we move toward establishing an ongoing Adventure Playground at Maple, we have been adding more challenging activities. Saws, hammers and nails are now more prominent. A ladder has been added to a tall tree to facilitate climbing. Kids have been signed in and dropped off by parents. All these activities are laying the ground work for us to open the Sacramento Adventure Playground for regular operation on Tuesday, August 23.

SacAdventurePlay3 SacAdventurePlay4

The closer we get to the opening day, the more we hear the question, “What’s the difference between the Pop-Up Adventure Play Days and the on-going Adventure Playground?”

The major difference is the age of the participants. The Adventure Playground at Maple is developed to serve children and youth ages 7 to 15 rather than children of all ages and their families. This is a big shift for Fairytale Town as we have always served young children (from birth to age 10) and their families. We are excited about the opportunity to offer playful and creative experiences for youth. The types of play at the Playground will suit older children and youth as they will involve a little more risk and creativity, and a lot less adult involvement.

SacAdventurePlay2

Another significant difference is the introduction of tools and building supplies. Saws, hammers, nails, screwdrivers, sewing machines and such will be available for participants to use. Play workers will be on hand to make sure the participants learn how to properly use and care for the tools, but the kids will be able to create and build things they can call their own.

There are other minor differences as well…

  • The Adventure Playground will be open during afterschool and weekend hours. Operating hours will be 2:30-6:30 PM Tuesdays, Wednesdays and Thursdays, and Saturdays from 11 AM to 3 PM.
  • Once registered by a parent or guardian, children and youth can come and go from the Adventure Playground on their own. Parents and guardians may visit the Playground, but for observation only. They are encouraged to let their children pursue activities on their own.
  • Participants can create—and destroy—things over time, rather than in a one-day time-frame.

And, of course, much is the same…

  • The Adventure Playground will be free to those who register.
  • Participants will get messy and are encouraged to wear clothes and shoes that can get dirty. (In fact, closed-toe shoes are required.)
  • The Playground will continue to hold regular Pop-Up Days for the community—at both Maple Neighborhood Center and other locations around town!

Around the world, Adventure Playgrounds tend to become places the participants call their own; and we hope the Sacramento Adventure Playground at Maple does as well.

Learn more about the Sacramento Adventure Playground at the Playground’s website.


Pop-Up Adventures

tree-3Fairytale Town and the Sacramento Play Coalition hosted their third Pop-Up Adventure Play Day at the Maple Neighborhood Center last weekend. The quote of the day happed when a 7-year old girl scampered up a ladder into a tree. Surprised by her quick ascent, her father said, “I didn’t know you liked to climb trees,” to which his daughter replied, “That’s because you don’t let me climb them at home.”

These kinds of ‘risky’ play experiences have been disappearing from childhood over the past few decades. It’s understandable that we as a society want to protect our children, but we do so at our own risk. Risky play challenges children. It allows them to stretch their boundaries as they explore their world. In the case of the tree climber, it even gives them a different perspective from which to view the world. Risky play also allows children to gain a sense of their own abilities,  learn to assess risk, test their skills, and experiment with more complex and difficult tasks. Or, as the girl on the ladder might say, it helped her climb higher that she ever had before.

mud-hole-1Of course, risky play needs to be managed and have oversight, and that’s where organizations like Fairytale Town can step in. Recognizing the need for broader play activities, especially for older children, Fairytale Town is working to bring a permanent Adventure Playground to the Maple Neighborhood Center. Thanks to involvement from volunteer groups like the Sacramento Play Coalition, Men in Childhood and other nonprofit organizations, we are nearly there.

We have been hosting Pop-Up Adventure Play Days sat the site to build momentum for the permanent Adventure Playground, adding a little more risk each time. Tree climbing and hammers and nails were added to our existing activities of mud play, fort building, and wall painting. Additional Pop-Up Play Days are set for July 23 and August 20. The permanent Adventure Playground will open August 23.

tree-1Details on the difference between the Pop Up Adventure Play Days and the permanent Adventure Playground will be shared in my next post. Until then… let’s find ourselves some trees to climb, and see how different the world can look.


Playful Learning

USPlayCoaltionLogoIt was another whirlwind trip. It seemed like I just returned from the Play on the Move conference in New Jersey when I took off for the US Play Coalition’s Rebooting Play conference at Clemson University in South Carolina. It was interesting to attend two play conferences so close together. While both were outstanding and attracted academics and researchers, the US Play Coalition conference also drew health care professionals, naturalists, play workers, and parks and recreation specialists.

The conference kept us busy from 8am to 10pm. Each day I was able to meet and learn from a wide array of inspiring people and their programs: a zoo employee who developed a nature club for zoo members, a children’s museum worker who is introducing play work to her children’s theater staff members, a researcher who provided facts and figures for play advocacy efforts, a naturalist who began a new nature play initiative at his nonprofit, an architect who studied playgrounds and developed best practice standards and another who established an adventure playground, play workers who shared their insights on play forensics and play cycles, educators who developed free-play after-school programs and tinkering labs, and marketers who demonstrated the power of play in telling stories.

I also got to hear some inspiring Keynote Speakers. Peter Gray, a research professor of psychology at Boston College—and the Keynote Speaker at last year’s Sacramento Play Summit—spoke to us about the dramatic decrease in children’s play over the past few decades, and, perhaps not surprisingly, the increase of depression, anxiety and narcissism in children. I was thrilled to get a preview of one of the Keynote speakers for this year’s Play Summit, Lenore Skenazy. Skenazy is the author and founder of the book/blog/movement, Free Range Kids. She shared stories about the backlash she received for allowing her nine-year-old son to take a subway home alone—at his request. She shared her insights on why we’ve become so crazy about letting our children out of our sight and her Free Range Kids Bill of Rights, which simply states that children have the right for unsupervised time—and parents have the right to give it to them. Those who attend this year’s Play Summit are in for a treat—she is a very entertaining, thoughtful and dynamic speaker!

 

Other Keynote addresses featured Rue Mapp, the founder of Outdoor Afro, a social community that reconnects African Americans to the great outdoors, Jean Margaret Smith of Nickelodeon whose World Wide Day of Play is September 17, and Justin Bogardus, who created the YouTube hit NatureRX. (Check it out—it’s hysterical.)

There were some common themes that were explored across all disciplines. The decrease in recess time for elementary school children—particularly those in high poverty areas, the increase in adult oversight for children’s activities, decreased time in natural settings, and the need to inform and educate decision and policy makers on how important play is for all mankind—especially children. There were also expressions of hope. There are lots of Adventure Playgrounds opening in the United States. Research bears out what we think is true—that children who have ample time to play do better in school and life in general. There seemed to be a general sense that the play movement was gaining momentum, and the variety of programs and initiatives that are being explored and implemented across the country reinforced this view.

As I reflect on the conference, I come back, literally and figuratively, to Fairytale Town. While we can’t meet all of the play needs in our community, the playful opportunities we provide children, their families, and our community are essential. The fact that we provide these opportunities for children of a wide age range, multiple generations, and schools and community centers as well as family units is a key strength of ours. The fact that we are part of a growing movement that encourages play will only make us stronger.


Play on the Move

rutgersPlay on the Move was the theme of this year’s conference for The Association for the Study of Play (TASP), held at Rutgers University in New Jersey. Not only did the conference get its attendees physically moving, it also held some very moving moments.

The three-day conference attracted about 150 playful people; mostly academics and researchers, but a few clowns as well (literally). The conference kicked off on Thursday with a keynote address by Cathy Salit, a corporate coach and author, who uses her experience as a performer to open up creative-thinking in corporate settings. She shared interesting information about play (or the lack thereof) in the corporate world and ran us through exercises in role playing and pretend. At the end she encouraged us to make funny faces at other conference goers at least once a day, and to attend workshops that were out of our comfort zone.

I did not make too many faces at people, but I did change up the workshops I was planning to attend. I participated in workshops on play and movement, playful reading, playground design, and after-school development programs for youth.

IPAUSAThat evening I participated in my very first board meeting for the USA chapter of the International Play Association (IPA/USA). The board identified goals for the coming year. We plan to make website improvements, increase membership, and participate in planning for the 2017 International Conference held in Alberta, Canada. At the end of the meeting the current Board President was acknowledged for her contributions during her three-year term, and she handed off her magic wand to the President-elect.

The next day offered another incredible keynote by Dr. Lenora Fulani, the co-founder and director of the All-Stars Project, a national nonprofit organization that uses play and performance to help inner city youth develop and grow. In addition to providing play and performance opportunities for youth, the organization offers play and performance opportunities for its sponsors and other adults. It was inspiring to learn what a powerful impact play can make in the lives of children—and adults. As one of the young alumni of the program stated, “Play is a tool in life… it helps you see things differently.”

Afterwards I, again, moved out of my comfort zone to do workshops on play and neurological patterns, play and politics, play and language acquisition, and a screening of ‘The Land,’ a 24-minute documentary on an Adventure Playground in Wales.

The final day of the conference was spent in a ‘Playboratory,’ a two-hour session on using play, performance and movement to explore our play muscles and tap into creativity and communication and concluded with an address on how fairytales, magic and pantomime have contributed to play throughout generations.

I got a lot of inspiration—and some practical tools to use—from the conference. I also got a big shot of confidence in the programs that we offer at Fairytale Town. The physical, artistic and literary experiences we offer children and their families are indeed important. The research these TASP-ians conduct reinforces that. Children AND adults learn much by trying on different characters, looking at things from different perspectives, and moving in different settings and directions.

In addition, I am now much more open to making playful faces at people as I go about my day. And you know what? People respond in kind!


A First for Play in Sacramento

popupftNearly 200 people played away the day at the first-ever Pop-Up Adventure Play Day in Sacramento. Held at the Maple Neighborhood Center in south Sacramento, the effort was a collaboration between Fairytale Town and the Sacramento Play Coalition – and was months in the planning.

A call for materials—cardboard, PVC pipe, paint, shovels—was issued and volunteers were on site to accept donations 12 hours per week for a three-week period.

Planning meetings were held, and materials were sorted and cleaned.

Promotional flyers, media releases, and registration forms were developed and distributed.

General activities were selected. Outside were areas for digging and mud play, painting a large storage container, building with boxes and cardboard, tying up a string den, and creating with chalk art and clay. Inside activities included painting, drawing, assemblage, make believe, and music-making.

popupmudWe were uncertain how the day would go. We thought it would be a good turn out if we had 20 people show up. We secretly hoped for 100.

People arrived as soon as we opened at 10 am. By the end of the day 75 children ages of 1 to 15, and at least that many adults came by. Children and adults alike got into the spirit of the event and had a great time.

The first family to arrive left about three hours later. As the diapered toddler and his 4-year-old brother approached me, I saw they were covered head to toe with paint. As they walked past me, I saw their backs were covered head to toe in mud. It summed up the day.

A boy about 9-years-old dug a hole for the entire time he was there. By the time he was done, we could barely see the top of his head. Some of the play-workers got into the act and erected a shade structure for him. I’m still not certain how he got out of the hole.

popupcardboardA 7-year-old boy spent his time turning cardboard boxes into a helicopter—again with the help of a play-worker.

It didn’t take long for the activity areas to spill into each other. The drums created inside soon made their way out. A group of girls dragged cardboard and tools inside to build their own living room… complete with a floor, walls, window, artwork, a couch and a flat screen TV—the only nod to technology for the whole day.

popupstringNearly everyone spent time painting the large storage container. Some were able to spray the sides with a paint-filled water pistol.

A few people came by just to donate more items, and loved the interaction they were seeing.

While sore and tired, all of us involved were delighted with the results and are already planning the next event. We are looking to do another on a Saturday or Sunday in May. Fairytale Town and the Sacramento Play Coalition invite involvement from community members.

Pop-Up Adventure Play days are ‘soft’ openings of a permanent Adventure Playground that Fairytale Town plans to open at Maple Neighborhood Center later this year. Geared towards children ages 7 to 15, the Adventure Playground will be open during out-of-school times and will offer supervised play activities. Children will have the opportunity to work with real tools to create their own space for play.

popupmud2Adventure playgrounds harken back to the end of WW2 when European landscape architects and playground designers discovered that children enjoyed playing in the war rubble more than they did in pre-fab playground structures. They observed that children were more engaged in play in spaces they created themselves and thought that these non-traditional environments inspired imaginative, collaborative and thoughtful play, and helped build competencies for adulthood.

The Adventure Playground Fairytale Town is planning at Maple will build upon this model, offering open-ended play for children ages 7 to 15 during out-of-school times. A Kickstarter campaign to raise $5,000 for the Playground will begin in April. The Adventure Playground will also be part of the focus of Fairytale Town’s efforts for the Big Day of Giving on May 3. We hope for a lot of community support! As all who participated told us, we want more adventure play!

The Sacramento Play Coalition is comprised of play professionals and enthusiasts who meet bimonthly to be a clearinghouse of ideas and to share best practices. If interested in being part of the coalition or the next Pop-Up Play Day, please send a request to join our Facebook group.

popup-cardboard2The Maple Neighborhood Center, located on the former site of Maple Elementary School, is a hub of health services, programs and opportunities for children and families presented by La Familia Family Counseling Center, 916 Ink, Fairytale Town and more nonprofit partners.

More information on Fairytale Town and its programs and services can be found at www.fairytaletown.org.


Maple Community Center Project

MapleSchool

Fairytale Town is collaborating with La Familia Family Counseling Center, 916 Ink and other nonprofit partners to bring a variety of community services to the shuttered Maple School site.

Located in South Sacramento off Franklin Boulevard and 37th Street, the new Maple Neighborhood Center will create a place that is a hub of health services, programs and opportunities for children and families that we hope will be a catalyst for neighborhood stabilization, economic opportunity and community health.

Fairytale Town’s role in the Maple Neighborhood Center project is to work with the community to create a Pop-Up Adventure Playground for children and youth ages 7 to 15 in an open, outdoor area of the school. The Pop-Up Adventure Playground is based on the concept of Adventure Playgrounds in Europe. After World War II, landscape and playground architects noticed that children spent more time playing in the war rubble than they did in structured playgrounds. They observed that children were more engaged in play in spaces they created themselves and thought that these non-traditional environments inspired imaginative, collaborative and thoughtful play. They believed that this type of free play helped children gain skills they needed to become competent and productive adults, rather than passive consumers.

The philosophy of adventure playgrounds puts real tools—hammers, nails, saws, gardening supplies, paints and such—into the hands of children so they can create and destroy their own spaces with guidance rather than direction from adults. Adventure Playgrounds have flourished in Europe, and many now offer training in trades such as bicycle maintenance, animal keeping and farming, in addition to free and unfettered play.

The Maple Neighborhood Center Adventure Playground will be open approximately 20 hours each week after school and on weekends and holidays. Contributions of money and raw materials—such as boats, bathtubs, lumber, building tools, paints, gardening tools, pianos and fabrics—will be sought from community members and service clubs. Community outreach activities will be planned to inform the community about the new play space. Neighborhood youth ages 18 to 25 will be recruited, hired and trained as Play Workers to help children learn how to handle tools and assist them in creating their play space.

We are planning to open the Adventure Playground in the fall of 2016. We are seeking contributions for this unique project and hope you can help. Make a donation online today. For more information, please contact Kathy Fleming, Executive Director, at (916) 808‑7060.